Selected bibliography
Year | Author | Title | Source | Details | Type Sort descending |
---|---|---|---|---|---|
1994 | Arian, Max | Liefde voor al wat rauw is | De Groene Amsterdammer | (interview), # 46, November 16, 1994 | Article |
2000 | Turner, Jonathan | Karel Appel: Stedelijk Museum Amsterdam | ARTnews | (review) (November 2000), p. 218 | Article |
1987 | Verhofstad, Juliette | Appelbar, 1951 | Op het tweede gezicht | a bulletin published by the Stedelijk Museum Amsterdam, March 1987, pp. 203-206 | Article |
1994 | Caprile, Luciano | Il Bello e la Bestia | Arte | (winter 1994) | Article |
1971 | Jespersen, Gunnar | Musik er min inspiration | Berlingske Tidende | Article | |
1996 | Arcisto, Suni | Karel Appel. L'idea ed il colore | Disegno & Pittura | year 2, # 7, (July - August 1996), pp. 31-33 | Article |
2006 | Burnstock, Aviva | “An Investigation of Water-Sensitive Oil Paints in Twentieth-Century Paintings | Modern Paints Uncovered | London, Tate Modern, 2006, pp. 177-187 |
Article |
1946 | Klinkenberg, H | Karel Appel | Palaestra. Maandblad voor jonge kunstenaars | year 1, # 3 (December 1946), p. 17 |
Article |
1962 | Gans, Louis | La Contribution Hollandaise au développement international de l’art depuis 1945 | Vie des Arts: Revue Canadienne Trimestrielle | (autmn 1962), pp. 21-27 | Article |
1994 | Hoogendijk, Ferry | Karel Appel: 'Ik heb Van Gogh in Mondriaan ontdekt' | Art and Value | (interview) year 2, # 2 (summer 1994) | Article |
1991 | Barten, Walter | Verftube als raket | Financieel Dagblad | January 14, 1991 | Article |
1957 | Doelman, Cornelis | Karel Appel. L'aventure de la sensation extasiée | Quadrum. Revue internationale d’art moderne | # 3, 1957, pp. 41-48 |
Article |
2015 | Crochet, Alexander | Karel Appel s’effeuille au Centre Pompidou | Le Quotidien de l’Art | (review), # 930, October 27, 2015 | Article |
1996 | Lhote, P | Essai sur le mouvement Cobra. L’ emploi de la couleur chez Asger Jorn, Karel Appel et Pierre Alechinsky | Europäische Hochschulschriften | vol. XXVIII, # 244, 1996 | Article |
2006 | Fuchs, Rudi | Hemelpost | HP/De Tijd | December 22, 2006, p. 144 | Article |
1994 | Klaster, Jan Bart | Kippen, koeien en dansers | Het Parool | October 3, 1994 | Article |
1991 | Blom, Ansuya | Einfach Kompliziert | Kunst- en Museumjournaal | # 5 (February 1991) | Article |
1957 | George, Waldemar | Karel Appel: Le Hollandais volant | Prisme des Arts | # 15 (1957-58), pp.41-43 | Article |
1973 | Bibeb | Karel Appel: Mijn LSD is m’n verf | Vrij Nederland | December 22, 1973 | Article |
2015 | Fuchs, Rudi | Esse est percipi. Kijken | De Groene Amsterdammer | July 29, 2015 | Article |
1996 | Vagheggi, Paolo | Il mio colore è tutto un jazz | La Repubblica | May 27, 1996 | Article |
2006 | Imanse, Geurt | Karel Appel | Stedelijk Museum Bulletin | # 3, 2006 | Article |
1994 | Melikian, Souren | Contemporary Arts: Back to 1980s? | International Herald Tribune | October 29-30, 1994, p. 10 | Article |
1991 | Bode, Ursula | Eine Substanz die Wärme transportiert | Süddeutsche Zeitung | # 167, July 22, 1991 | Article |
1957 | Rouve, Pierre | Of Appel and Tradition | Art News and Review (April 1957) | Article | |
2015 | Smith, Roberta | Cobra Artists Worked With a Passionate Style to Match Their Name | New York Times | October 8, 2015 | Article |
2006 | Redl, Thomas | Jenseits der Vergänglichkeit: Karel Appels letzte Bilder | ST/A/R | Wien, # 12/2006, p. 7 |
Article |
1988 | Armengaud, Françoise | Entretien avec Karel Appel | Titres | (interview), Edition Meridiens Klincksieck, Paris, series «Esthétique», 1988, pp. 143-157 | Article |
1994 | Miller, Richard | Christian Karel Appel | Cobra, Nouvelles Editions Francaises, Paris, 1994, pp. 134-136 | Article | |
1985 | Dank, Ralf | Aus dem Chaos wächst das Bild | Kölner Stadt-Anzeiger | (interview), # 229/20, October 3, 1985, p. 20 | Article |
1991 | Borras, Maria Lluïsa | La pintura como grito de pasión | La Vanguardia | October 8, 1991 | Article |
1974 | Kelly, Mary Lou | Modern Masters' ‘Primal Images’ | The Christian Science Monitor | Article | |
1962 | Dotremont, Christian | "Cobra" | L'Oeuil. Revue d'art | # 96 (December 1962), pp.56-65 |
Article |
1988 | Cabanne, Pierre | Karel Appel. Haute tension | Elle | # 2238, November 28, 1988 | Article |
1949 | Voskuil, J.J. | Een omstreden wandschildering | Kroniek van Kunst en Kultuur | year 10, # 6 (June 1949) |
Article |
2001 | Schumacher, Rogier | Karel Appel: Pastorale Chiaroscuro | Bulletin Stedelijk Museum Amsterdam | # 3, 2001 | Article |
1985 | Flomenhaft, Eleanor | Karel Appel | The Roots and Developments of Cobra Art, Fine Arts Museum of Long Island, Hempstead, 1985, pp. 73-91 | Article | |
1991 | Bufill, Juan | La realidad de Karel Appel | ABC | October 24, 1991 | Article |
1997 | Fuchs, Rudi | L’antica storia dell’arte moderna | Art of the 20th Century. Flemish and Dutch Painting, Rizzoli, New York, 1997 | Article | |
1989 | Hahn, Otto | Peinture à la tronçonneuse | L'Express | # 1952, December 2-8, 1988 | Article |
1963 | Elsken, Ed van der | Karel Appel. Ein Bildbericht mit 1 Farbphoto und 8 Schwarzweissaufnahmen | Du | year 23, # 271 (September 1963) |
Article |
2001 | Schweighöfer, Kerstin | Der Maler, der die Leinwand stürmte | ART das Kunstmagazin | # 4 (April 2001) | Article |
1985 | Kuspit, Donald | Atomic Weather: Karel Appel | Art in America | # 4 (April 1985), pp. 160-163 | Article |
1991 | Depondt, Paul | Karel Appel de retour aux Pays-Bas | Septentrion | year 20, # 1, 1991 | Article |
1958 | Alloway, Lawrence | London Exhibitions | Art International | vol. 2, # 8 (November 1958) | Article |
1975 | Kramer, Hilton | No one denies that painting is a material medium | (review), New York Times, September 20, 1975 | Article | |
1997 | Wieg, Rogi | Het leven is een gloeilamp | Het Parool | January 24, 1997, p. 17 | Article |
2007 | Donkers, Jan | Liever een Karel Appel Museum | Het Parool | February 14, 2007 | Article |
1988 | Hunter, Sam | Karel Appel In the Spirit of our Time | Arts Magazine | (January 1988)(reprint from 1986) | Article |
1950 | Dotremont, Christian | L’affaire Appel | Le petit cobra, # 3 | Brussels (spring 1950) |
Article |