Selected group exhibitions
Year | Title | Location | Traveling to |
---|---|---|---|
1984 | Creation. Modern Art and Nature | The Scottish National Gallery of Modern Art, Edinburgh | |
1984 | El movimiento Cobra en la colección Karel van Stuyvenberg | Museo de Arte Contemporáneo de Caracas | National Museum of Art, Osaka; São Paulo Biennial; Hara Museum of Contemporary Art, Tokyo; Malmö Konsthall, Malmö, Sweden; Taipei Fine Arts Museum, Taiwan; Liljevalchs Konsthall, Stockholm; Konsthall Brands Klaederfabrik, Odense, Denmark; Nieuwe Kerk, Amsterdam |
1984 | Artistic Collaboration in the Twentieth Century | Hirshorn Museum and Sculpture Garden, Washington D.C. | Milwaukee Art Museum, Wisconsin; J.B. Speed Art Museum, Louisville, Kentucky |
1984 | La Grande Parade. Hoogtepunten van de schilderkunst na 1940 / Highlights in Painting after 1940 | Stedelijk Museum, Amsterdam | |
1983 | Expressive Malerei nach Picasso | Galerie Beyeler, Basel | |
1982 | Appel et Alechinsky. Encres à deux pinceaux, peintures, etc. | Fondation Maeght, Saint-Paul de Vence, France | |
1982 | CoBrA, 1948-1951 | Musée d'Art Moderne de la Ville de Paris, Paris | Maison de la Culture, Chalon-sur |
1982 | CoBrA, 1948-1951 | Musée d'Art Moderne de la Ville de Paris | Maison de la Culture, Chalon-sur-Saône, France; Musée de Beaux-Arts, Rennes, France |
1981 | Paris 1937 - Paris 1957: Créations en France | Centre national d’art et de culture Georges Pompidou, Paris | |
1981 | Avantgarden - Retrospectiv. Kunst nach 1945 | Westfälischer Kunstverein, Münster, Germany | |
1980 | Belgique - Pays-Bas. Points de rapprochement et parallèles dans l’art après 1945 | Palais des Beaux-Arts, Brussels | Museum Boymans-van Beuningen, Rotterdam |
1974 | CoBrA and Contrasts, The Winston-Malbin Collection | The Detroit Institute of Arts, 1974 | |
1974 | Since 1945: vol. I, The World of Abstract Expression [works by 17 European and American Artists] | Fuji Television Gallery, Tokyo | |
1973 | Primal Images: Appel, Calder, Dubuffet, Miró | De Cordova Museum, Lincoln, Massachusetts | |
1973 | Selected works from the Asger Jorn collection | Silkeborg Kunstmuseum, Denmark | |
1973 | The Private Collection of Martha Jackson | University of Maryland Art Gallery, College Park | The Finch College Museum of Art, New York; Albright-Knox Art Gallery, Buffalo |
1971 | Stedelijk ’60-’70 | Palais des Beaux-Arts, Brussels | |
1971 | Opere di Maestri Contemporanei Europei | Palazzo Internazionale delle Aste ed Esposizioni, Florence | |
1971 | The 31st Annual Works on Paper | Art Institute of Chicago, Illinois | |
1971 | Martha Jackson Gallery Collection | The Seibu Museum of Art, Tokyo | |
1970 | Trends in Twentieth Century Art. A Loan from the San Francisco Museum of Art | The Art Galleries, University of California, Santa Barbara | |
1969 | Appel – Lucebert –Tajiri | Kunsthalle Basel | |
1969 | Art présent | Palais des Beaux-Arts, Brussels | |
1969 | Contemporary Portraits | Museum of Modern Art, New York | |
1968 | 24e Salon de Mai | Musée d'Art Moderne de la Ville de Paris | |
1968 | Painting in France 1900 – 1967 | National Gallery of Art, Washington | Metropolitan Museum of Art, New York; Museum of Fine Arts, Boston; The Art Institute of Chicago; M.H. de Young Memorial Museum, San Fancisco |
1968 | L’art vivant 1965 – 1968 | Fondation Maeght, Saint Paul de Vence, France | |
1968 | Peintres Européens d’aujourd’hui | Musée des Arts Décoratifs, Paris | The Jewish Museum, New York; The Smithsonian Institution, Washington; Museum of Contemporary Art, Chicago; The High Museum of Art, Atlanta; Dayton Art Institute, Ohio |
1967 | Campo vitale | Il Centro Internazionale della Arti e del Costume, Palazzo Grassi, Venice | |
1967 | ROSC ’67. The Poetry of Vision. An International Exhibition of modern Painting and ancient Celtic Art | Royal Dublin Society | |
1966 | Four European Artists and the Figure | The Art Institute of Chicago | |
1966 | Kontraste. Vier Möglichkeiten des Künstlerischen. Josef Albers, Karel Appel, Max Ernst, Robert Rauschenberg | Overbeck - Gesellschaft Lübeck, Germany | |
1965 | Moderne Nederlandsk Maleri | Stavanger Kunstforening, Norway | Bergens Kunstforening, Norway; Kunstnernes Hus, Oslo; Amos Andersons Konstmuseum, Helsinki, as Modernt holländskt måleri |
1965 | Un groupe 1965 | Musée d’Art Moderne de la Ville de Paris | |
1965 | 40 Key Artists of the Mid-20th Century | Detroit Institute of Arts, Michigan | |
1965 | Imagadventure | Walker Art Center, Minneapolis | |
1965 | Colorists 1950 – 1965 | San Francisco Museum of Art | |
1964 | Painting and Sculpture of a Decade 54 - 64 | Tate Gallery, London | |
1964 | Van Gogh and Expressionism | The Solomon R. Guggenheim Museum, New York | |
1964 | Karel Appel, Jaap Mooy, Lucebert | Dutch Pavillion, XXXII Biennale Internazionale d'Arte, Venice | |
1964 | Nieuwe realisten | Gemeentemuseum Den Haag, The Hague | Akademie der Künste, Berlin; Museum des 20. Jahrhunderts, Vienna |
1964 | documenta III | Kassel, Germany | |
1963 | The Dunn International, an exhibition of contemporary painting | The Beaverbrook Art Gallery, Fredericton, Canada | The Tate Gallery, London |
1963 | Schrift en beeld | Stedelijk Museum, Amsterdam | Staatliche Kunsthalle, Baden-Baden, Germany, as Schrift und Bild |
1963 | 20th century Master Drawings | The Solomon R. Guggenheim Museum, New York | University Gallery, University of Minnesota, Minneapolis; The Fogg Art Museum, Harvard University, Cambridge |
1963 | Visione Colore | Il Centro Internazionale della Arti e del Costume, Palazzo Grassi, Venice | |
1963 | Ve Salon. Grands et jeunes d’aujourdhui | Musée d'Art Moderne de la Ville de Paris | |
1962 | Pioniers. 50 Meesterwerken / Masterpieces, from the Stedelijk Museum, Amsterdam | Curaçao's Museum, Willemstad | |
1962 | Art since 1950. American and International | Seattle World’s Fair | |
1962 | Nederlands bijdrage tot de internationale ontwikkeling sedert 1945 | Stedelijk Museum, Amsterdam | Montréal Museum of Fine Arts; National Gallery of Canada, Ottawa |